Lawrence Paul Yuxweluptun

Nationality: Canadian

First Nations Affiliation: Coast Salish

Training: Emily Carr School of Art and Design

Group: Northwest Coast formal design elements; 20th century; 21st century

Provenance: purchased from the Artist in 1996

Subject: Coast Salish cosmology; First Nations politics; landscape; cultures in conflict




Other Works in the Vancouver Art Gallery Collection

Lawrence Paul Yuxweluptun
Shaman Dancing in Sunset, 1989
acrylic on canvas
Vancouver Art Gallery Acquisition Fund
VAG 91.58

Lawrence Paul Yuxweluptun
Clear Cut to the Last Tree, 1993
screenprint on paper
Vancouver Art Gallery Acquisition Fund
VAG 94.14.1

Lawrence Paul Yuxweluptun
Transformation of Bill Wilson, 1999
hair, mirror, rawhide, and acrylic on wood
Gift of the Artist
VAG 96.33

Lawrence Paul Yuxweluptun
Borderlines, 1996
watercolour and ink on paper
Vancouver Art Gallery Acquisition Fund
VAG 96.39.3

Lawrence Paul Yuxweluptun
An Indian Shooting the Indian Act, 1997
shotgun, fabric, copy of the Indian Act, display case
Vancouver Art Gallery Acqusition Fund
VAG 98.18

Lawrence Paul Yuxweluptun
The Urban Rez, 1998
acrylic on canvas
Gift of Maryon and Jack Adelaar
VAG 2001.43.6

Lawrence Paul Yuxweluptun
Space, Place, and Reason, 2001
acrylic and oil on canvas
Vancouver Art Gallery Acquisition Fund with the financial support of the Canada Council for the Arts, York Wilson Endowment
VAG 2002.15

Lawrence Paul Yuxweluptun
Mountain View Cemetary, 1996
oil on canvas
Gift of the Artist
VAG 2005.24.1